Sunday, March 27, 2011

The Book of Eli

2010 post-apocalyptic Bible lesson

Rating: 16/20

Plot: Eli's got a special book and a gun and a sword thing. He's been traveling a post-apocalyptic wasteland for a long time, goin' out west where the wind blows tall and Tony Franciosa used to date Tom Waits' mother. In fact, he's been heading west for thirty years, fighting off people who are trying to either steal his book or eat him or a little of both. A man named Carnegie, not played by David Carradine, witnesses Eli beating down some suckas and tries to get him to join his posse. He even sends the daughter of the blind girl he's currently banging to seduce him and convince him to stay. Eli ain't having none of that and stays focused on his mission to get his special book into the proper hands.


Denzel's never been cooler, and Gary Oldman's never been slimier. I like post-apocalypse movies anyway, this one a modernized take on the Mad Maxes if you replace gasoline with ideas. This one delivers some nifty, if not too reminiscent of other computer-aided action sequences from contemporary ultra-stylish action flicks, punch-'em-out scenes and shoot-'em-ups. One at a farmhouse, a house that like everything else in the movie is surrounded by enough shades of gray to make this almost a black and white movie, features a long shot where the camera drifts back and forth between the opponents. It's very stylish, very cool, and almost poetic. This also delivers visually. Things are digitally altered enough to make this more Sin City than the aforementioned Mad Max, but it's a look that gives the movie a uniqueness and creates some memorable set pieces. It's the kind of thing where you know the characters are probably spending a lot of time in front of a screen, but you don't really care because it all looks so cool. The story's so simple that there might as well not even be one, but it almost works like a tricky little fable about knowledge and the powers and evils that it can bring. And Tom Waits has a role, a character he nails like he always does, making you wish that he was in there a little bit more. Cool little flick, likely destined for the cult classic shelf more than anything. I do wonder how Christians could misinterpret this one though. After a single viewing, I'm not sure I'm confident in my own interpretation.


Tom Waits note: I read on a mailing list about Jackie "The Jokeman" Martling telling Howard Stern that he was taking acting classes with Tom Waits. I'm not sure if that means Waits was teaching a class or a fellow student of Martling. If it was just The Jokeman's idea of a joke.

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