Showing posts with label Buster. Show all posts
Showing posts with label Buster. Show all posts

Thursday, June 10, 2010

The Cameraman

1928 comedy

This is already on the blog, and my opinion hasn't really changed. Everybody should see this movie. I think this one is an example of a movie that is actually great rather than being just a great Buster Keaton movie. Apparently, I'm a little biased some times. A couple things:

1) Very few title cards used in this. They did a good job showing the "dialogue" nonverbally.

2) Marceline Day might have been Buster's most attractive love interest, good looking enough that I'm planning on using some of the tips I learned from A Guide for the Married Man and attempting to hook up with her.

3) I'm still convinced that Josephine the Monkey's performance in this is one of the best performances by monkey or human in movie history. Josephine makes Christian Bale look like a hack!

Now, for your review, my ranking of Buster Keaton's silent films:

1) The General
2) Steamboat Bill, Jr.
3) The Cameraman
4) Sherlock Jr.
5) Our Hospitality
6) The Navigator
7) Go West
8) Seven Chances
9) Three Ages
10) Battling Butler
11) College

I haven't seen The Saphead yet. I'm not sure why.

Tuesday, June 1, 2010

Buster Keaton Saturday: Arbuckle & Keaton Volume One

Comedy shorts from 1917-1919

Rating: n/r

Plot: Five Fatty/Buster shorts. They're bell boys, butchers, bartenders, and candlestick makers who fall down more than the average bell boys, butchers, bartenders, and candlestick makers.

Was Fatty Arbuckle the first Will Ferrell? With Ferrell, it seems like producers just think of a new job for him to do in every movie. "Let's make him a basketball player." "How about we make him a race car driver this time?" "Hey, he hasn't been a weatherman yet!" Seems to be the same with Fatty, an actor I hadn't seen much of until now. He's fine. He's likable enough for me not to be bothered by Buster only getting a supporting role. Arbuckle's mainly funny because he's a fat guy. It just seems too easy at times. I mean, aren't all fat guys funny? Sometimes I just sit on a park bench waiting for a fat guy to come along so that I can point and laugh. Does that mean I should tape him and have Kino release it? What if the fat guy in the park was in a dress like Fatty is in "The Butcher Boy"? These things aren't terribly funny, barely mildly humorous even. The comedy and what passed as a plot in silent nineteen-teen's shorts are both really typical. There are a lot of clever bits and the physical comedy with both of the players is good, but a very small percentage of this made me laugh or even crack a smile. A couple of these use parody with uneven results. "Out West" pokes fun at the Western, and the humor actually gets pretty black. "Moonshine" has the weirdest title cards I've ever seen, ones that break the fourth wall and continually remind the audience that they're watching a movie. John Coogan, father of Chaplin's The Kid's kid Jackie Coogan, plays a policeman in The Hayseed. There probably aren't a lot of people to whom I'd recommend these, but I do have a second volume I'll get around to watching some time.

Sunday, April 18, 2010

Buster Keaton Saturday: Film

1965 Samuel Beckett film

Rating: n/r

Plot: An old man hides his face from the camera as he runs along a wall, eventually arriving at his nondescript apartment, an apartment as tired and wrinkled as the man. He hides from his mirror, tears up some pictures, and meets a new friend.

Buster Keaton and Samuel Beckett? Damn right I'm in! This is less like Waiting for Godot and more like Waiting for Something to Happen, but it's a fascinating and haunting philosophical short. I wondered how Keaton, just a few years before his death, would do in an experimental film. His face is barely in it, but his movements (especially when we see his hands) are about perfect, and a nearly comedic episode involving the removal of a pair of pets makes it seem like Buster really was the only choice for this thing. It's entirely soundless, creepily soundless if you ask my wife, and the film's got this grainy quality, kind of like everybody's favorite Eraserhead, that makes it all ominous and a bit disturbing. I'm very glad that I stumbled across this. Quite literally actually. I was in the process of falling when I spotted this and grabbed it to keep my balance.