Showing posts with label mimes. Show all posts
Showing posts with label mimes. Show all posts

Saturday, September 11, 2010

Mary and Max

2009 cartoon

Rating: 17/20 (Jen: 16/20)

Plot: Lonely 8-year-old Australian Mary befriends lonely autistic Jewish New Yorker Max after randomly pointing to his name in a directory and writing him a letter. They have the Noblets and a love of chocolate in common, and apparently, that's enough. They're pen pals for twenty years.

So there's a glut of animated movies these days--the traditionally-animated, the computer-generated stuff, other styles like that disturbing rotoscope stuff used in The Waking Life and those commercials. My favorite, without a doubt, is claymation, and since Mary and Max is a beautiful example of that technique, you're probably going to wonder if there's some bias. Probably. However, I did watch this twice just to make sure. What I noticed the second time--there certainly is a lot of farting in this movie. So if you're a fan of both claymation and farting (I consider myself an aficionado of gassy emissions humor), you'll probably love this. It's more than just farting though. This is one of those types of animated flicks that captures humanity much better than actual actors can. Max tells us that humans are "complicated souls," and I just love how simply Adam Elliot's little movie describes the key to surviving in a really ugly world with some really ugly people--find somebody beautiful to cling to. The claymation is stunning and enhances the storytelling. The settings are stark, bringing the focus to the two characters. Mary's Australia is colorful but bleak, littered and scabbed and occasionally dangerous. Max's is bleaker because it's mostly without color, just splashes of red to interrupt the grays and darker grays. His New York is as grotesque as the big city in The Triplets of Belleville and humorously almost vacant. There's a homeless guy, a woman who zips by on a scooter a few times, and a punk rocker who reappears, but the New York streets are otherwise empty. Their worlds have ugly and mean in common, but their relationship, although borderline creepy/inappropriate, makes them livable. Mary and Max is insanely funny, filled with ideas that seem torn from Roald Dahl's notebooks and quirky Amelie-esque narration and tangents. Watching this a second time, I noticed a lot of funny little details. The movie is also very touching. There are holes in each of the characters' biographies, but you really get to know them in this intensely intimate way, and you feel their ups and downs deeply. I also appreciated the very realistic and touching portrayal of Aspergers. This is a beautiful looking and beautifully-constructed little movie that further supports my belief that 2009 was the best year for animated movies. As always, I've put almost no thought into that belief. I don't have to put much thought into whether I love this movie or not though.

My favorite scene has a mime in it.

One more 2009 animated feature to watch, the French A Town Called Panic that looks like it could be a religious experience.

Tuesday, May 25, 2010

A Bug's Life

1998 Seven Samurai remake

Rating: 16/20 (Abbey: 19/20)

Plot: Mean grasshoppers threaten a colony of ants after clumsy Flik dumps the food they collected to keep the bullies happy. The lead grasshopper, the cleverly-named Hopper, doubles the order and gives the ants until the last leaf falls to collect. Flik is sent away to find some warrior bugs, but he brings back circus bugs instead. Together, they come up with a plan to rid themselves of their grasshopper enemies.

I love the nod to Seven Samurai and The Magnificent Seven here although if you count the inarticulate Tuck and Roll, you've actually got nine bugs that come to help the ants. This movie has a little trouble getting started since few of the ants really have any character. The exception would be the protagonist voiced by Kid in the Hall Dave Foley, but even Flik has to grow on you a little bit. Once Flik gets to the big city, the story, as well as the animation and the action, picks up. The circus bugs and P.T. Flea (The Empire Strikes Back's John Ratzenberger, Pixar regular) give the film funk and flavor, and as soon as they're introduced, the puns, some of them very bad, start flying so rapidly that you'll wish you had a fly swatter. There are three terrific action sequences in this although the climactic battle scene that takes place at night might be a little too intense. A Bug's Life is a funny movie, but, uncharacteristically for Pixar movies, a few of the jokes are a little on the cheap side. Still, A Bug's Life is stuffed with creative ideas, fun characters (Kevin Spacey's Hopper is a great villain), lively Randy Newman (of "Short People" fame) music, and terrific animation. I also really appreciate the messages behind the cute little bug story. There are lessons about noncomformity, the power of the imagination, facing up to bullies, and reaching goals despite your size. I'll always have enough of a sweet spot for Toy Story to love it a little more than this one, but it's hard to watch this and not think of it as a step up for Pixar.