After the Thin Man

1936 sequel

Rating: 16/20 (Jen: 15/20)


Plot: Nick and Nora return from their honeymoon, the retired private dick swearing that he's finished solving cases for good. But not so fast, Nick! Nora's cousin's hubby's been missing for weeks, and her family wants Nick to find him. The couple have no problem doing that, but the case gets a bit more difficult and dangerous when somebody murders him. Oh, snap! Nick has to discover the identity of the real murderer in order to save his cousin-in-law from the electric chair.

As with the first in the series, the banter between the couple is more interesting that any of the Dashiell Hammett mystery. It inspired the wife and I to entertain ourselves by pretending to be Nick and Nora. We glued a bunch of fur to our eleven-month-old and taught her how to bark. Then, we imitated the snappy dialogue of Loy and Powell. I played Nora.

Me/Nora: Let's go solve a mystery, Darling.
Wife/Nick: You drink to much.
Me/Nora: (Weeps uncontrollably and becomes unresponsive)
Baby/Asta: Woof!

It wasn't quite as good. And this one, although entertaining from start to eventual finish, is not quite as good as its predecessor. It tosses in Jimmy Stewart in an interesting role and an assortment of oddballs to populate Nick and Nora's house for a funny surprise party. The murder mystery and its subsequent solving is dopey and convoluted, but I think that's part of the appeal with these things. We'll get to the others in the series soon.

Note: It's hard to get glued fur off baby skin. Find an alternative.

The Man Who Shot Liberty Valance

1962 Western

Rating: 15/20

Plot: Senator Ransom Stoddard and his wife arrive in the town of Shinbone to go to the funeral of an old friend, Tom Doniphon. Some newspaper men harass the senator about his visit until he sits down and tells them the story of his very first visit to Shinbone, a visit which starts with being beaten and robbed by a bully of a rancher named Liberty Valance. This treatment inspires Stoddard, an up-and-coming lawyer, to introduce a little law and order to the Western town and its surrounding ranches. He also opens up a school to teach the children and illiterate adults to read. But Stoddard's reasoning and the information in his law books doesn't change the ways of Valance and his posse, and inevitably, Stoddard will have to stand up to him. Doniphon, local tough guy who says "Pilgrim" far more than the average cowboy, doesn't think Stoddard's got what it takes. Doniphon also doesn't like that Stoddard seems to be interested in the girl he plans to marry.

This is great Western drama that often looks like a parody because of far too many gigantic personalities--an overacting Jimmy Stewart, at times almost seeming like somebody else doing a really poor and over-the-top Jimmy Stewart impression instead of an actual Jimmy Stewart; burly John Wayne being all John Wayne-y; Vera Miles hyper-playing her stock female Western character; Lee Marvin as the titular bad guy, ugly and mean and a little too hammy; Andy Devine squealing his lines as the sheepish sheriff with the great name Link Appleyard; Bobcat Goldthwait as one of Valance's men; a stutterer; the newspaper editor Dutton Peabody played theatrically by Edmund O'Brien, a guy who apparently is trying to prove here that he is classically trained or something; and finally, an overly-grandiose orator at the convention late in the film. It's personality overload, and it all adds up to something completely unrealistic and unintentionally comical. I do really like the story and its conflicts though. The Hallie-Tom-Ransom love triangle could have been developed better. The Liberty-Tom-Ransom hate triangle is great though. Nothing needs to be said by any of the characters to show the audience that Tom and Liberty don't like each other and maybe have a bit of a history. And Jimmy Stewart's anger, anger that I'm would please any diehard Stewart fan, contrasts so well with the cool and cocky Marvin. I really like some individual scenes, my favorites being scenes that I think a lot of directors might have reshot. There's a scene where Jimmy bumps his head and then continues on with his lines. He drops or knocks over things, and messes up his lines more than once, but, even if it's not intentional or written into the script, it really adds to the character, this geeky lawyer who you are positive won't be able to kill the tough bully in the end. Ultimately, I like what this movie has to say about Wild West myth-making, the "printing of legends," and the clash between the Wild West philosophies and the big city ideas that Stoddard brings to Shinbone. But come on. Watch the "pick up my steak" scene over again, and try to convince me that it's not funny.

The Man from Laramie

1955 Western

Rating: 15/20

Plot: A guy who rolls up the cuffs of his jeans brings a load of supplies from Laramie to Coronado, a dinky town controlled by a rancher named Waggoner. Secretly, he wants to get to the bottom of who's selling rifles to the Apaches. He has a run-in with the mischievous Waggoner son, resulting in his wagons being burned and his mules being shot. He decides to stick around anyway and gets on everybody's nerves.

It's still hard for me to see Jimmy Stewart as a tough guy, but there's a terrific long shot of a very pissed-off Jimmy walking toward a guy who wronged him who apparently is also the cameraman. It made a believer out of me. The fisticuffs that follow, wrastlin' amidst a herd of cattle on the dusty streets, have a grit that lends a realism to the proceedings, as do a few gun fights that come later. We catch the stock characters in medias res, but as the story unfolds, there's a depth to them that I really like. That story's a little uneven at times, and there's a ludicrous explosion along the way. Parts of certain conflicts seemed unresolved or, when I did squeeze pieces together, didn't really fit right. Sort of like Jimmy Stewart's pants. There had to be easier ways for some of these characters to get what they wanted in the movie. Regardless, this is beautifully shot and well-acted Western that shows off the great American West in a story that, although it wasn't, seems like it was pinched from the samurai.

The Man Who Knew Too Much

1956 movie

Rating: 14/20 (Cory: 14/20; Dylan: 3/20)

Plot: Following a medical conference, Indianapolis doctor Ben McKenna decides to explore Morocco with his wife Jo and their son Hank. Bad idea since Morocco is apparently the most dangerous place on earth! After befriending a mysterious Frenchman on their bus, a series of events occur that lead to poor Hank being kidnapped and taken to London. Dr. McKenna knows too much, but he isn't allowed to reveal anything as he and Jo zip on over to London to look for Hank, even though Hank is sort of obnoxious.

This is not one of Alfred Hitchcock's better efforts. It's colorful and the textures of both people-packed Morocco and nearly-vacant London add to the film. I like Doris Day even when she's singing the seemingly endless "Que Sera Sera," and I like about half of what Jimmy Stewart is doing. But there are more than a few of those moments of Jimmy Stewart awkwardness, like in a very exciting scene where his character has trouble eating. I really like Reggie Nalder, the guy who plays the assassin, looking like the kind of guy who should be a villain in a James Bond movie. The story is good here, and the building up of suspense in a climactic scene at the Albert Hall is very well done. Unfortunately, this movie is way too long, gets really goofy, and has a sort of second ending that really takes away most of the wallop that the Albert Hall scene delivered. It's a second ending that is way too long on its own, but it's also completely preposterous. Oh, and then there's a third ending which is a silly joke. It all leaves a bad taste in my mouth and nearly makes me forget the positives about The Man Who Knew Too Much. One positive I didn't mention is a scene in a taxidermy shop. That scene was easily the best of the film, and it has very little to do with the story. It's probably not a good thing when a red herring is the best thing about the movie.

This was actually a historic occasion, marking the first time I've watched a movie with blog-reader Cory. Jimmy Stewart is his favorite actor, but look at that poster up there. The guy can't even act on a poster!